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Anthony Van Dyck
Self Portrait_nn
Pinakothek, Munich
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Anthony Van Dyck
Portrait of a Gentleman
1624
Pinakothek, Munich
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Anthony Van Dyck
Emperor Charles V
1620
Galleria degli Uffizi, Florence
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Anthony Van Dyck
An Alchemist
1661 National Gallery, London
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Anthony Van Dyck
Interior with Peasants
1663 Wallace Collection, London
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Anthony Van Dyck
Deposition_m
1634
Pinakothek, Munich
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Anthony Van Dyck
Portrait of Jean de Montfort
1628
Galleria degli Uffizi, Florence
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Anthony Van Dyck
Portrait of a Man11
1622
Metropolitan Museum of Art, New York
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Anthony Van Dyck
Samson and Delilah7
1627-32
Art History Museum, Vienna
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Anthony Van Dyck
James Stewart, Duke of Richmond and Lennox
Metropolitan Museum of Art, New York
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Anthony Van Dyck
Family Portrait_5
1621
The Hermitage, St.Petersburg
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Anthony Van Dyck
Marchesa Elena Grimaldi
1623
The National Gallery of Art, Washington DC
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Anthony Van Dyck
Portrait of the Painter Cornelis de Wael_3
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Anthony Van Dyck
Soldier on Horseback
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Anthony Van Dyck
The expulsion of adam and eve from the garden of eden (mk03)
1621
Oil on buff paper,laid down,
7x6 3/4"(178x172mm)
National Gallery of Canada,Ottawa
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Anthony Van Dyck
The drunken silenus (mk03)
1618-20
Oil on canvas,41 3/4x35 5/8"(107x90.5cm)
Gemaldegalerie Alte Meister,
Staatliche Kunstsammlungen,
Dresden
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Anthony Van Dyck
Susanna and The Elders (mk03)
c.1620-22
Oil on canvas,
76 3/8x56 3/4"(194x144.2cm)
Alte Pinakothek,
Munich
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Anthony Van Dyck
Portrait of an unknown genoese lady (mk03)
1621-22
Oil on canvas.72x48" (183x122cm)
Ntional Gallery of Art,Washington.D.C.
aNDREW W.Mellon Collection
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Anthony Van Dyck
Portrait of prince rupert standing (mk03)
1631-32
Oil on canvas,68 7/8x37 5/8(175x95.6cm)
Kunsthistorisches Museum
Vienna
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Anthony Van Dyck
Portrait of queen henrietta maria with sir jeffrey hudson (mk03)
1633
Oil on canvas,
86 1/4x53 1/8"(219.1x134.8cm)
National Gallery of Art.
Washington.
D.C.
Samuel H,Kress Collection
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| Anthony Van Dyck
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Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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